[...] what is particularly appreciated, especially considering the still short professional seniority of the musicians involved, is the type of interaction that is created between the members of the sextet. In most of the pieces we do not see a canonical progression of solos but rather a free exchange of impressions and emotions between the instruments, based on a pre-established plot [...] 

 

[Pietro Cozzi, Mescalina.it, about "When nobody is listening"]

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